Tango time 20th Anniversary
Music, dance and singing celebrating 20 years of Tango with René Casarsa in Houston
Special participation of:
Michael Fahey, Pablo Donatti & Catherine Olivier (violins) Charles Olivier (bandoneon) & Matt Tavilson (double bass) Claudio Manzolillo (recitatives)
Andrea Berri & Giancarlo Piletti (vocalists)
Susana Collins & Gonzalo André (dancers)
Texas Tech (Lubbock) Tango ensemble (10 musicians)
Winners of 2018 CAH “Young Musician Scholarship” program Catherine Wu (violin), Carolyn Koerner (flute), Nadya Van de Coevering (vibraphone), Elice Shin (cello)
Join us and enjoy the unforgettable music of Buenos Aires, from the “Guardia Vieja” to Astor Piazzolla
General admission $25, members of CAH/IHCH $20, students $10
Purchase your tickets online at www.casaargentina.org
info@casaargentina.org
713-622-2212
Net proceeds from the event will be used to fund the 2019 Young Musician Scholarship Program, sponsored by Casa Argentina and organized by René Casarsa.
//Tiempo de Tango Aniversario
Recital de música, canciones y baile celebrando
20 años de René Casarsa con el tango en Houston
Con la participación de:
Michael Fahey, Pablo Donatti & Catherine Olivier (violins) Charles Olivier (bandoneon) & Matt Tavilson (double bass) Claudio Manzolillo (recitatives)
Andrea Berri & Giancarlo Piletti (vocalists)
Susana Collins & Gonzalo André (dancers)
Texas Tech (Lubbock) Tango ensemble (10 musicians)
Winners of 2018 CAH “Young Musician Scholarship” program Catherine Wu (violin), Carolyn Koerner (flute), Nadya Van de Coevering (vibraphone), Elice Shin (cello)
Los esperamos para una noche de tango con la inolvidable música de Buenos Aires, desde la “Guardia Vieja” hasta Astor Piazzolla
Entrada General $25, miembros de CAH/IHCH $20, estudiantes $10
Compre su entrada en www.casaargentina.org
info@casaargentina.org
713-622-2212
Los fondos recaudados en el evento serán destinados al programa de becas “Músicos Jóvenes” patrocinado por Casa Argentina y organizado por René Casarsa.
Country: Mexico 1998/2008
Plots keywords: Drama | Histórico//History | Conquista de América | Colonialismo//spanish colonization | Siglo XVI//16th century | Cultura Azteca//Aztec
Languagues: Español- Nahuatl. English subtitles
Director: Salvador Carrasco
Writer: Salvador Carrasco
Production Co: Carrasco, Domingo Films / Consejo Nacional para la Cultura y las Artes / Universal Studios
Runtime: 115 min.
Cast: Damián Delgado, José Carlos Rodríguez, Elpidia Carrillo, Iñaki Aierra, Honorato Magaloni, Zaide Silvia Gutiérrez, Carlos Álvarez, Luisa Ávila, Ramón Barragán, Alejandro Bracho, Diana Bracho, Josefina Echánove, Rufino Echegoyen, Guillermo Ríos, Lourdes Villarreal, Maya Zapata
La Otra Conquista
México 1521, Topiltzin y su pueblo sufren ‘la otra conquista’, la conquista espiritual, por parte de los españoles y la película narra la imposición de la nueva cultura y religión a las costumbres de su pueblo.
DESCUBRIMIENTO Y CONQUISTA. MIERCOLES DE PELICULA. La historia a través de cine
The Other Conquest
It is May 1520 in the vast Aztec Empire one year after the Spanish Conqueror Hernán Cortés’ arrival in Mexico. “The Other Conquest” opens with the infamous massacre of the Aztecs at the Great Temple of Tenochtitlan [what is now called Mexico City]. The sacred grounds are covered with the countless bodies of priests and nobility slaughtered by the Spanish Armies under Cortés’ command. The lone Aztec survivor of the massacre is a young Indian scribe named Topiltzin [Damián Delgado]. Topiltzin, who is the illegitimate son of the Aztec Emperor Moctezuma, survives the onslaught by burying himself under a stack of bodies. As if awakening from a dream, the young man rises from among the dead to find his mother murdered, the Spanish in power and the dawn of a new era in his native land. A New World with new leaders, language, customs… and God. Representing the New Order is the Spanish Friar Diego [José Carlos Rodríguez]. His mission is to convert the “savage” natives into civilised Christians; to replace their human sacrifices and feathered deities with public Christenings and fealty to the Blessed Virgin Mary. With Topiltzin, Friar Diego faces his most difficult spiritual and personal challenge, for when Topiltzin is captured by Spanish troops and presented to Cortés [Iñaki Aierra], the Spanish Conqueror places Topiltzin’s conversion under Friar Diego’s care. Old world confronts the New as Topiltzin struggles to preserve his own beliefs, whilst Friar Diego attempts to impose his own. Moreover, all the while, the question remains: Who is converting whom?
