“Festival del Bolero”
A cultural-musical performance with great musicians.
You’ll be able to listen to:
Juan Carlos Ramos (Puerto Rico)
Arturo Domingo Martinez (Mexico)
Dueto Sentimiento Latino (Mexico)
Eduardo Zetina (Mexico)
Karinna Cepeda “Kanela” (Peru)
Enjoy three hours full of good music!
Get your free tickets in advance!
TEATRX is bringing back La Vida Es Cortos / Life Is Shorts Festival for the second year! The festival will once again bring Latinx stories to the stage and screen in new and exciting ways. This year’s lineup includes a 14-minute musical, 21 Chump Street: The Musical, by Hamilton star Lin Manuel Miranda, and a short film by native Houstonian Vannessa Vasquez of Hulu’s East Los High. Along with 21 Chump Street: The Musical, TEATRX will produce two plays chosen after a nationwide call for short plays. On behalf of TEATRX, Laura Moreno will direct, The Party Favor, by Julián Mesri. The second play, A Volunteer by Marian Licha will be directed and acted by members of Teatro Indigo. This year’s festival will also feature the Spanish language play, El Espejo by Emilio Carballido directed by RS Producciones, and a dance theatre piece written and choreographed by Adam Castaneda of Pilot Dance Project.
Because of the high volume of fantastic film submissions, TEATRX will show 13 short films ranging from two to fifteen minutes. Films will be split between four performances Thursday – Saturday. Each night the audience will vote on their favorite film. The top films will be featured at the final performance on Sunday, November 24.
La Vida Es Cortos/Life Is Shorts Festival is funded in part by grants from the City of Houston through the Houston Arts Alliance.
El Milagro del Recuerdo
A world premiere and prequel to the mariachi opera Cruzar la Cara de la Luna, El Milagro del Recuerdo/The Miracle of Remembering brings audiences back to where it all began, Michoacán, Mexico. Set during Christmas, the opera lovingly explores the themes of traditions and familial bonds while it’s characters deal with life-changing decisions and dream of something more.
By joining librettist and director Leonard Foglia, Mexican composer Javier Martínez continues the legacy of mariachi opera established by his late father, José “Pepe” Martínez.
Sung in Spanish with projected English translation.
If you are an IHCH member send us an email at institute@ihch.org to request a promo code for a 20% off your tickets.
If you want to become a member to enjoy this opportunity click here
Discount only available for December 20th show.
About this Event
Donde hay un barranquillero hay un carnaval y ese es el caso del Carnaval de Barranquilla en Houston, creado hace 10 años en la Ciudad Espacial con el objetivo de mostrar la gran riqueza histórica, cultural y folclórica que representa el segundo carnaval más importante del mundo, declarado por la UNESCO como patrimonio Oral e Intangible de la Humanidad, un orgullo para los colombianos.
Durante esta velada podrá conocer a nuestras Reinas del Carnaval, disfrutar de un rico coctel típico costeño, se realizará el lanzamiento de la Revista 10 años del Carnaval de Barranquilla en Houston y disfrutar la película “Polvo Carnavalero”
Reservar llamando al 281.250.0260
www.carnavaldebarranquillaenhouston.com
Dates and Location:
Performances now scheduled from February 29, 2020 – April 12, 2020
under the Big Top at Sam Houston Race Park
More about Alegría:
Alegría (‘joy’ in Spanish) takes audiences at the heart of a once glorious kingdom now in decay led by the king’s fool and a dusty aristocracy. Carried by an intangible wind of change, an emerging movement from the streets strives to shake this established order, instilling hope and renewal to bring light and harmony to their world. With its joyful spirit, Alegría is a vital, energizing force driven by a thirst for a brighter tomorrow.
In true Cirque du Soleil fashion, Alegría unfolds soul-touching clown antics and remarkable acrobatic performances in a whimsical and immersive visual universe. Perched at the top of the Big Top, gymnasts fly from one High Bar to the next, and leap into the void to reach the hands of mighty catchers suspended on a cradle swing. Using all her limbs, an artist dazzles with her ability to spin and twirl a multitude of hoops while contorting her body with otherworldly ease. Other Jaw-dropping highlights include a daredevil Fire Knife Dancer eating, breathing, touching and juggling with flames; a sublime couple on Aerial Straps soaring through a delicate snowstorm; and fourteen tumblers bouncing off a Powertrack (trampoline tracks) embedded into the stage to perform crisscrossing series of daring somersaults.
For more information about Alegría, visit cirquedusoleil.com/alegria.
Follow #Alegria and #cirquedusoleil on social media: Facebook | Twitter | Instagram | YouTube
To watch a preview video of Alegría, visit cirk.me/alegriatrailer.
De México a Estados Unidos, cómo el Festival Internacional de Cortometraje se volvió el más grande de Houston
Quieres comprar tus entradas al festival?
Te daremos un 10% de descuento si atiendes ea nuestra sesion.
Compra tus boletos aqui https://literalmagazine.com/literally-short-film-festivals-official-selection/

Íconos culturales mexicanos en la literatura, el cine y la música.
Imagen, representación y memoria
El cine argentino desde sus comienzos hasta el nuevo milenio.
Un recorrido por la historia del cine argentino. Se prestará atención a los protagonistas (directores, directoras, actores, actrices), los géneros, las películas que marcaron época, los personajes memorables y el reconocimiento internacional otorgado a este arte. Se considerará asimismo la relación entre este arte y la memoria colectiva, y el diálogo que el cine argentino establece con las producciones cinematográficas de otras latitudes.
"This program is made possible with funding from Humanities Texas and the National Endowment for the Humanities (NEH) as part of the federal CARES Act." “Any views, findings, conclusions, or recommendations expressed in this program, do not necessarily represent those of the National Endowment for the Humanities.”